41 x 51 x 72 inches. 687.1980. 1968. Created three years after Judd began inviting industrial fabricators to make his artworks, this sculpture was constructed from galvanized iron in a sheet-metal shop according to the artist’s specifications, and then coated in automobile paint. Donald Judd, Untitled, 1991. This record is a work in progress. Enameled aluminum. Please, Twelve units, each 9 x 40 x 31" (22.8 x 101.6 x 78.7 cm), installed vertically with 9" (22.8 cm) intervals, Helen Acheson Bequest (by exchange) and gift of Joseph Helman, © 2021 Judd Foundation / Artists Rights Society (ARS), New York. light cadmium red oil and sand, black and white oil, galvanized iron, and nails on wood. His oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to. The spaces between the units are equal to each unit’s height. Donald Judd. The spaces between the units are equal to each unit’s height, thereby establishing a rhythmic alternation between open and closed volumes that extends from floor to ceiling. Donald Judd sought autonomy and clarity for the constructed object and the space it creates. His primary form became the box—solid or hollow, enclosed or open—often in exacting, serial arrays. Ses œuvres explorent les natures spécifiques des objets, leur spatialité et leur relation avec le … A regal work from 1988, Donald Judd's violet stack Untitled is an elegant statement of the artist's conceptual aims to establish space and color as the foremost elements in art. Although it is hung on a wall like a painting, Untitled (Stack) projects nearly three feet from the wall and climbs like rungs on a ladder from floor to ceiling. 1991. Donald Judd's progression sculpturesare a series of wall sculptures created between 1964[1]and the 1970s. 22 × 48 1/4 × 36", 240 lb. Donald Judd, Untitled, 1991, Enameled aluminum, 59" x 24' 7¼" x 65" (150 x 750 x 165 cm) Judd started using unpainted plywood in the early 1970s, [19] a material the artist embraced for its durable structural qualities, which enabled him to expand the size of his works while avoiding the … His sculptures and installations, constructed out of industrial … Donald Judd, Untitled. Untitled , 1984, consists of three open-ended, concrete cubes, aligned so that the viewer may look through them like a … Untitled was made by the American artist Donald Judd in 1972 with Bernstein Brothers of Long Island City, New York – Judd’s preferred fabricators, with whom he had been working since 1964. 52 by 43 by 5 … Donald Judd, Untitled, 1969, ten copper units, each 9 x 40 x 31 inches with 9 inch intervals (Guggenheim Museum, New York) It comprises ten identical rectangular boxes, each with sides made of blue anodised aluminium and top and bottom faces made of clear acrylic sheeting. The box is one of Judd’s most used forms, either closed, semi-hollow or transparent. Archived Sketch. Donald Judd Untitled, 1969. Permanent collection, the Chinati Foundation, Marfa, Texas. This sketch is created with an older version of Processing, and doesn't work on browsers anymore. Enameled aluminum. View our hours. An influential practitioner of what would come to be called—much to his chagrin— Minimalism, Donald Judd preferred to describe his often sleek, industrially fabricated works as “specific objects,” neither painting nor sculpture as understood traditionally. Our site uses technology that is not supported by your browser, so it may not work correctly. Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Jose and Henry R. Kravis, and Emily Spiegel. His oeuvre has come to define what has been referred to as Minimalist art—a label the artist strongly objected to. That project has concluded, and works are now being identified by MoMA staff. One of Judd’s favored forms was the “stack,” of which this untitled work is a signature example. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. Untitled. Untitled comprises Judd’s seventh “stack,” a compositional mode that became the signature manifestation of his ideas. His first ‘stack’ dates from 1965 but he continued to develop this form throughout his career. Donald Judd Untitled, 1963. Judd sought to banish symbolism from abstraction, intending his work to be experienced physically. Galvanized iron 108 units, each 21 × 21 × 120 inches (53.3 × 53.3 × 304.8 cm) previously listed. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.”. Untitled. 59" x 24' 7 1/4" x 65" (150 x 750 x 165 cm). Aquatint. Donald Judd (1928-1994) Untitled (DSS 42) light cadmium red oil and black oil on wood with galvanized iron and aluminum 76 x 96 x 11¾ in. © 2018 Judd Foundation / Artists Rights Society (ARS), New York. Donald Judd, Untitled , 1969, ten copper units, each 9 x 40 x 31 inches with 9 inch intervals (Guggenheim Museum, New York).Speakers: Dr. Shana Gallagher-Lindsay, Dr. … Standing ten feet tall, Untitled (Bernstein 88-25) is a monument of positive and negative space that finds its ultimate form through a unified interplay of light, shadow and color. Available for sale from Heritage Auctions, Donald Judd, Untitled (1978-79), Aquatint on wove paper, 40 × 29 1/2 in Laumeier is fortunate to have a major outdoor concrete work by this historically important artist. Brass. Judd sought to banish symbolism from abstraction, intending his work to be experienced physically. By visiting our website or transacting with us, you agree to this. Available for sale from Brooke Alexander, Inc., Donald Judd, Untitled (1990), Woodcut printed in cadmium red with black hand-stencil printing, 23 1/2 × 31 … ‘Untitled’ was created in 1974 by Donald Judd in Minimalism style. Cadmium red light and black oil on wood with galvanized iron and aluminum 50 × 42 × 5 1/2 inches (127 × 106.68 × 13.97 cm) Cadmium red light acrylic on Douglas fir plywood with aluminum found object 19 1/2 × 45 × 30 1/2 inches (49.5 × 114.3 × 77.5 cm) Judd’s stacks consist of cantilevered boxes—typically ten but here twelve—hung vertically on the wall at equal intervals. Untitled, 1978-79. Rather than portraying recognizable imagery, Judd’s blunt sculptures adhere to elemental geometric form and serial order. [2] Each work is similar in form, with Judd's choice of material varying depending on the date of production. Cadmium red light oil on wood with violet acrylic sheet 20 × 48 5/8 × 47 5/8 inches (50.8 × 123.5 × 121 cm) Judd's pursuit of literal rather than apparent space emerges in #Untitled# as a challenge to the terms of traditional perspective in painting; the rising volume makes it nearly … By using a predetermined system, Judd circumvented the spontaneous decisions artists often face during the art-making process. For licensing motion picture film footage it is advised to apply directly to the copyright holders. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. UNTITLED. This “stack” casts a lush orange glow against the wall around it; as a result, negative space is as much a part of the work as the boxes themselves. By visiting our website or transacting with us, you agree to this. The museum is closed today. Information about image downloads and licensing is available here. [3] Juddbased each work on a simple mathematical sequence such as the Fibonacci Sequence. Photo by Douglas Tuck, Judd Art. Permanent collection, the Chinati Foundation, Marfa, Texas. “The main thing wrong with painting is that it is a rectangular plane placed flat against the wall,” Judd wrote in his famous essay from 1965, “Specific Objects.” In response, he conceived of a lexicon of three-dimensional forms that would exist in “real space,” as he put it. © 2021 Judd Foundation / Artists … Depending on the height of the ceiling where the work is displayed, the number of units may be adjusted. Seek an Artwork by Donald Judd. Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). (193 x 243.8 x 29.8 cm.) Available for sale from Brooke Alexander, Inc., Donald Judd, Untitled (1961-1978), Woodcut printed in black with cadmium red oil paint on the reverse, 20 … Donald Judd’s sculpture Untitled 1974 comprises six box units of highly-polished brass, fabricated to the artist’s specifications by Berstein Brothers in Long Island City, New York. Sold. Donald Judd, 100 untitled works in mill aluminum, 1982-1986. Although many works of art can be described as “minimal,” the name Minimalism refers specifically to a kind of reductive abstract art … Bien que considéré par beaucoup comme une personnalité importante de l’art minimaliste, Judd nie cette association. Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning. Limited Edition Print. by Dr. Shana Gallagher-Lindsay and Dr. Beth Harris. Untitled,1978-79. Every stack is installed like a spine or column, not only cantilevered out from the wall but also connecting floor to ceiling. More information is also available about the film collection and the Circulating Film and Video Library. Donald Judd Untitled , 1961–1968 Carolina Nitsch Contemporary Art Here, Judd has begun working with Plexiglas and has … Untitled comprises Judd’s seventh “stack,” a compositional mode that became the signature manifestation of his ideas. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. Donald Judd, Untitled, 1969, ten copper units, each 9 × 40 × 31 inches with 9 inch intervals (Guggenheim Museum, New York) A Reductive Abstract Art. (American, 1928–1994) 1967. 1928 - 1994. Inquire For Price. Donald Judd, widely regarded as one of the most significant American artists of the post-war period, is perhaps best-known for the large-scale outdoor installations and long, spacious interiors he designed in Marfa, Texas. Gift of Philip Johnson. Donald Judd, 100 untitled works in mill aluminum, 1982-1986. signed and dated JUDD 62 on the reverse . Donald Judd, Untitled. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). And yet, throughout his career, Judd retained a painter’s penchant for striking optical choices, often deploying color and reflective surfaces to stunning effect. Object information is a work in progress and may be updated as new research findings emerge. Untitled 1990 is a wall-based work by the American artist Donald Judd. Donald Judd. Donald Judd, Untitled (1967), collection of Indianapolis Museum. 59 × 24 × 65 in. Donald Judd Untitled, 1991. Like many of his peers, he used new industrial materials and fabrication processes—in this case, galvanized iron and green lacquer paint typically used in auto body shops—and had the work welded at a sheet-metal shop. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. Biography. We have identified these works in the following photos from our exhibition history. Donald Judd Art © 2020 Judd Foundation / Artists Rights Society (ARS), New York. See this work in MoMA’s Online Collection. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. DONALD JUDD. Find more prominent pieces of sculpture at Wikiart.org – best visual art database. ), each unit, Through prior gifts of Mrs. Morton G. Schamberg and Mr. and Mrs. Edward E. Hokin; Charles H. and Mary F. Worcester Collection Fund; through prior gifts and bequest of Solomon B. Smith, Dr. and Mrs. Irving Forman, Mrs. Roy J. Friedman and Mr. and Mrs. Samuel A. Marx; Mary and Leigh B. Donald Judd est un artiste américain influent connu pour ses sculptures simples à grande échelle. Donald Judd Untitled, 1963. Donald Judd, widely regarded as one of the most significant American artists of the post-war period, is perhaps best-known for the large-scale outdoor installations and long, spacious interiors he designed in Marfa, Texas. (55.9 × 122.6 × 91.4 cm, 108.9 kg). If you notice an error, please contact us at [email protected]. Untitled offered a cubic structure that was generated by geometrical logic rather than by appealing to the language of expression: bisected across the diagonal, one half was double the height of the other, creating a step formation. In authoring work that was ultimately built by commercial fabricators and composed of durable materials far removed from the realm of fine art, Judd presented a new direction for sculpture. Lacquer on galvanized iron, Twelve units, each 9 x 40 x 31" (22.8 x 101.6 x 78.7 cm), installed vertically with 9" (22.8 cm) intervals. To help improve this record, please email . Clear anodized aluminum and green plexiglass 33 × 68 × 48 inches (83.8 × 172.7 × 121.9 cm) The figures ‘80–49’ stamped on the back of each metal unit are an order number and … Untitled was first exhibited in 1973 at the Leo Castelli Gallery, New York. If you have additional information or spotted an error, please send feedback to [email protected]. Donald Judd. Donald Judd Untitled from Homage to Picasso (Hommage à Picasso) 1974, published 1973 Donald Judd. Donald Judd. If you would like to reproduce text from a MoMA publication, please email [email protected]. For access to motion picture film stills please contact the Film Study Center. View Source Code We use our own and third-party cookies to personalize your experience and the promotions you see. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Every stack is installed like a spine or column, not only cantilevered out from the wall but also connecting floor to ceiling. Block Fund; through prior purchase of the Twentieth-Century Discretionary Fund; Ada Turnbull Hertle and Frederick W. Renshaw Acquisition funds; through prior gift of Florene May Marx and Samuel A. Marx; purchased with funds provided by Aaron Fleischman; Alyce and Edwin DeCosta and Walter E. Heller Foundation Fund; Wirt D. Walker Trust; purchased with funds provided by Judith Neisser and Janet and Craig Duchossois; through prior gift of Joachim Jean Aberbach and Julian J. Aberbach; Wilson L. Mead, Watson F. Blair Prize, Marian and Samuel Klasstorner, and Gladys N. Anderson funds; through prior bequest of Marguerita S. Ritman; Mr. and Mrs. Frank G. Logan Prize Fund; through prior gifts of Mrs. Leonard Haddad and an Anonymous Donor. Untitled. Photo by Douglas Tuck. Donald Judd Untitled, 1969. Starting out as a painter among the generation of artists that succeeded the Abstract Expressionists in New York, Judd quickly grew disillusioned with painting’s limitations. Donald Judd Untitled 1967. If you are looking for a particular piece by Donald Judd, tell us what it is and we will match it to our database of sellers. Although Untitled would seem to be part of a continuum, Judd believed that his works should be "seen as a whole" rather than as a composition of parts, and was convinced that color, shape, and surface created a unitary character; there is no hierarchy of forms or focal point as in more traditional works -- only repetition and rhythm created by the repetition. 'Untitled’ 1980 (T03087) was made for Judd by Bernstein Bros., Long Island City, New York, a metalworking firm which has made objects to his specifications since 1964. Stainless steel and amber Plexiglas, 10 units, 15.2 × 68.6 × 61 cm (6 × 27 × 24 in. Judd once wrote, “The main virtue of geometric shapes is that they aren't organic, as all art otherwise is.” Untitled is made of rectangular metal boxes: a simple geometric form the artist favored because he felt it carried no symbolic meaning.
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