Dans les années 70, le pionnier américain du minimalisme Donald Judd, fatigué par la vie trépidante de New York et souhaitant montrer ses œuvres de façon permanente, part à la recherche d’un lieu approprié dans le sud des Etats-Unis. 10 mai 2014 - Explorez le tableau « :: DONALD JUDD :: » de EM, auquel 106 utilisateurs de Pinterest sont abonnés. In 1968, Judd bought a five-story building in New York that allowed him to start placing his work in a more permanent manner than was possible in gallery or museum shows. [122] One of Judd's large stacks, comprising 10 galvanised iron elements with nine-inch (228.6 mm) intervals, untitled (1977) fetched $9.8 million at Christie's in 2007. Richard Wollheim, a British art theorist, is known for making the term minimalism popular via his Minimal art essay in 1965. The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness and scale as a chair ... A work of art exists as itself; a chair exists as a chair itself. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Avec Robert Morris, il est l'un des principaux représentants du minimalisme en sculpture. Ses recherches le mènent à Donald Judd Interviews was published in October 2019. What is broadly called Minimalism from 1968 - characterized by the erosion of the boundaries between painting and sculpture, by an impersonal generative process for which Judd’s red floor wooden box with slotted trough (Untitled, 1963) had industrially been made, was an act of resistance, a challenge to Abstract Expressionism. [128], Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford: Oxford University Press, 2009. p. 350, Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford: Oxford University Press, 2009. p. 351, Chilvers, Ian & Glaves-Smith, John eds., Dictionary of Modern and Contemporary Art, Oxford: Oxford University Press, 2009. pp. …, This discussion of two films made for television in 1971 by Flemish filmmaker Jef Cornelis brings into relief an underlying …, Ritual Object (Message to Donald Judd and Richard Serra), Derbyshire, How I learned to see: Richard Deacon at Tate Britain, Interview with Helen Charash about the life and work of her late sister Eva Hesse, Art World, Network and Other Alloway Keywords, Ideas in Transmission: LeWitt’s Wall Drawings and the Question of Medium, Surviving Reality: Lee Bontecou’s Worldscapes, Two Exhibition-Related Films by Jef Cornelis: Landmark Exhibitions Issue, Attribution-ShareAlike Creative Commons License. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists ' reliance on the self-referential trace of the painter in order to form pieces that were free from emotion. First came the refusal of form, of geometry, in which post-minimalists like Robert Smithson swapped Judd’s pristine cubes for heaps of matter. Judd's work at Chinati includes 15 outdoor works in concrete and 100 aluminum pieces housed in two former artillery sheds that he adapted in great detail specifically for the installation of the work. He provided a critical account of this significant era of art in America while addressing the social and political ramifications of art production. [12], As he abandoned painting for sculpture in the early 1960s, he wrote the essay “Specific Objects” in 1964. Analyses of the Minimalist artists Donald Judd and Robert Morris generally focus on their three-dimensional work. (left) Portrait of American artist Donald Judd (1928 - 1994) as he poses next to one of his works in the Leo Castelli gallery on East 77th street, New York, New York, February 6, 1966. The aesthetics of both artists are based on the principles of geometrical abstraction, the placement of simple geometric forms in non-illusionistic space, combined into non-objective compositions. … In 1976 he served as Baldwin Professor at Oberlin College in Ohio. 2 août 2015 - Donald Clarence Judd est un artiste plasticien et théoricien américain, né à Excelsior Springs (Missouri) le 3 juin 1928 et mort à New York le 12 février 1994. Today, Lehni AG still fabricates Judd metal furniture in 21 colors, which are sold through the Judd Foundation alongside his furniture in wood and plywood.[39][40]. [127], Judd had homes in Manhattan, Marfa, Texas, and Kussnacht am Rigi, Switzerland. Avec Robert Morris, il est l'un des principaux représentants du minimalisme en sculpture. Two of the artist’s famous furniture designs are now available without the wait. This weekend I'm headed to Marfa, TX. The Panoras Gallery organized Judd's first solo exhibition in 1957. This paper …, This article considers Sol LeWitt’s wall drawings as artworks poised on the cusp of the ‘post-medium condition’ of installation art. Ses recherches le mènent à produire des œuvres tridimensionnelles fondées sur des formes simples. He would not have another one person show until the Green Gallery in 1963, an exhibition of works that he finally thought worthy of showing. Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writings as "Specific Objects" (1964). Judd voices his unorthodox perception of minimalism in Arts Yearbook 8, where he asserts; "The new three dimensional work doesn't constitute a movement, school, or style. The differences are greater than the similarities. Il propose d’appeler ce type d’œuvre « des objets spécifiques ». 350-351. Découvrez vos propres épingles sur Pinterest et enregistrez-les. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. Ses recherches le mènent à produire des œuvres tridimensionnelles fondées sur des formes simples. His furniture and sculptures explored the specific natures of objects, their spatiality, and their relationship to the viewer. Originally conceived by Judd in 1977, and created in 1996, the Judd Foundation was formed in order to preserve the work and installations of Judd in Marfa, Texas and at 101 Spring Street in New York. In 1979, with help from the Dia Art Foundation, Judd purchased a 340 acre (1.4 km²) tract of desert land near Marfa,[13] which included the abandoned buildings of the former U.S. Army Fort D. A. Russell. (1988) "Donald Judd." [34], Judd's activity in architecture and furniture design increased beginning around 1978, at which time he was involved professionally and romantically with Lauretta Vinciarelli, an Italian-born architect and artist. The works that Judd had fabricated inhabited a space not then comfortably classifiable as either painting or sculpture and in fact he refused to call them sculpture, pointing out that they were not sculpted but made by small fabricators using industrial processes. Judd taught at several academic institutions in the United States: The Allen-Stevenson School (1960s), Brooklyn Institute of Arts and Sciences (1962–64); Dartmouth College, Hanover (1966); and Yale University, New Haven (1967). From the late 1970s to the mid 1980s Judd was partners with artist, architect, and educator Lauretta Vinciarelli. [13] In his essay, Judd found a starting point for a new territory for American art, and a simultaneous rejection of residual inherited European artistic values, these values being illusion and represented space, as opposed to real space. Marianne Stockebrand, the director of the Chinati Foundation at the time, resigned from her post on the Judd Foundation’s board partly in protest of the auction. bron: UvA - Kernconcepten in de kunst van de 20e eeuw See more ideas about donald judd, donald, land art. Also by 1964, he began work on wall-mounted sculptures, and first developed the curved progression format of these works in 1964 as a development from his work on an untitled floor piece that set a hollow pipe into a solid wooden block. Haskell, Barbara. [16] He started making room sized installations that made the spaces themselves his playground and the viewing of his art a visceral, physical experience. En élaborant ses « Specific objects », pour reprendre le titre de son manifeste publié en 1965, Donald Judd nous invite à repenser l’espace dans sa globalité et bouscule la conception classique de la sculpture dont il s’émancipe volontairement. Aujourd’hui, j’ai envie d’aborder le minimalisme, ce qui va me permettre de parler à la fois de peinture et de sculpture, avec des artistes que j’adore, comme Donald Judd, Frank Stella, François Morellet ou Anne Truitt. The main reason is Donald Judd. Supported by a grant from the National Endowment for the Arts, Northern Kentucky University commissioned Judd with a 9 feet (2.7 m) aluminum sculpture that was unveiled in the middle of the school's campus in 1976. His essay "Specific Objects," first published in 1965, remains central to the analysis of the new art development in the early 1960s. Il désigne un art qui naît aux Etats Unis et plus précisément à New York. The Cor-ten works are unique in that they are the only works the artist fabricated in Marfa, Texas. [31] Judd preferred the anodizing process to painting methods,[32] stating that he liked “the color to be in the material” and that, “Anodized aluminum, even though it’s a surface too, is a little better to me, because at least a little layer of it is color in the material” (Interview with Angeli Janhsen for Donald Judd, Kunstverein St. Gallen, Switzerland, March 22, 1990).[33]. Son style artistique pass… Donald Clarence Judd est un artiste plasticien et théoricien américain, né à Excelsior Springs (Missouri) le 3 juin 1928 et mort à New York le 12 février 1994. Voir plus d'idées sur le thème minimalisme, robert morris, art contemporain. [117], The publication program of Judd Foundation intends to develop texts for scholars, students, and those interested in the life and work of Judd. Donald Judd, in full Donald Clarence Judd, (born June 3, 1928, Excelsior Springs, Missouri, U.S.—died February 12, 1994, New York, New York), American artist and critic associated with Minimalism. ", William C. Agee, "Artist's Dialogue: Donald Judd, The Language of Space,", Columbia University School of General Studies, John Simon Guggenheim Memorial Foundation, Skowhegan School of Painting and Sculpture, Colección De Arte Contemporaneo Fundacion La Caixa, Governor Nelson A. Rockefeller Empire State Plaza Art Collection, Musée d'art moderne et contemporain, St. Etienne, Musée départemental d'Art ancien et contemporain, Epinal, Museo Nacional Centro de Arte Reina Sofía, National Museum of Modern Art, Tokyo, Japan, Royal Museums of Fine Arts of Belgium, Brussels, Western Washington University Public Sculpture Collection, "Tate Modern Past Exhibitions Donald Judd", "Donald Judd – Exhibition at Tate Modern", Donald Judd: Stacks, September 26 - December 7, 2013, Donald Judd: Plywood, February 27 – March 27, 2004, "For Judd Family, Home Is Where The (Rectilinear) Art Is", "The Many Moods and Pleasures of Donald Judd's Objects", "Local History: Donald Judd and Works in Edition", https://artmap.com/pace/exhibition/donald-judd-2011, https://www.gallery.ca/magazine/your-collection/at-the-ngc/donald-judd-and-the-national-gallery-of-canada-an-enduring, http://www.tate.org.uk/about/pressoffice/pressreleases/judd_27-01-04.htm, "Artist - Colección de Arte Contemporaneo La Caixa", "Works – Donald Judd – Artists – Crystal Bridges Museum of American Art", "Donald Judd | Exhibitions & Projects | Program | Dia", "The Essential Perspective. Judd believed that art should not represent anything, that it should unequivocally stand on its own and simply exist. “Lauretta Vinciarelli, Into the Light: Her Collaborations with Donald Judd.”, Siefert, "Lauretta Vinciarelli, Into the Light: Her Collaborations With Donald Judd. S’enchaînent deux oeuvres verticales de 1988, les Stacks, rouge et noir, et vert et blanc, de Donald Judd (faisant face au « Monument » for V. Tatlin, de Dan Flavin, de 1967, dédié à l’artiste constructiviste russe). [38], In 1984, Judd commissioned Lehni AG, the fabricator of his multi-colored works in Dübendorf, Switzerland to produce his furniture designs in sheet metal, in finishes of monochrome colored powdercoat based on the RAL colour standard, clear anodized aluminium, or solid copper. Donald Clarence Judd (1928–1994) was born in Excelsior Springs, Missouri. [41], In his reviews as a critic, Judd discussed in detail the work of more than 500 artists showing in New York in the early and mid-1960s for publications including ARTnews, Arts Magazine, and Art International. Plywood had been the staple of his art earlier, but never unpainted. Working in New York in the 1960s, Judd became known as one of the key exponents of ‘Minimalism’, but it was a … His oeuvre has come to define what has been referred to as Minimalist art—a label 10 oct. 2016 - Cette épingle a été découverte par STRaZ. Morris and Judd doubted the value of the compositional norms of European … In his work, Judd… [30] These extruded works were created by pressing heated aluminum through a die to create a specific shape designed by Judd. Other important exhibitions include Donald Judd: Prints 1951–1993, Retrospektive der Druckgraphik, Gemeentemuseum Den Haag, The Hague, 1993–1994;[47] Donald Judd. Donald Judd was a prominent and respected artist and critic throughout the 60s-80s. Combining a wide range of colors, he used the material to create five large-scale floor pieces and many horizontal wall works in unique variations of color and size. Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). Beginning in 1983, he lectured at universities across the United States, Europe and Asia on both art and its relationship to architecture. Le minimalisme (ou art minimal) est un courant de l'art contemporain, né dans un groupe de plasticiens au début des années 1960 aux États-Unis, basé sur le principe de l'économie maximale des moyens.Il s'est développé dans d'autres arts comme la musique, la danse, la cuisine, mais surtout dans le design (Donald Judd) et l'architecture (Ludwig Mies van der Rohe). Donald Judd: Untitled (1988/91), Billy Rose Art Garden, Jeruzalem. The permanent collection consists of large-scale works by Judd, sculptor John Chamberlain, light-artist Dan Flavin and select others, including Ingólfor Arnarsson, David Rabinowitch, Roni Horn, Ilya Kabakov, Richard Long, Carl Andre, Claes Oldenburg and Coosje Van Bruggen, as well as Robert Irwin. [113] Judd Foundation maintains and preserves his permanently installed living and working spaces, libraries, and archives across 22 buildings that comprise more than 100,000 square feet (approx. Judd also worked with furniture, design, and architecture. [11] In 1965, Judd created his first stack, an arrangement of identical iron units stretching from floor to ceiling. Avec Robert Morris, il est l'un des principaux représentants du minimalisme. This exhibition is the first substantial retrospective of his work in three-dimensions since 1988, and the first to trace his career up to his death in 1994. For the majority of us, consuming art is a destination appointment. He replied that methods should not matter as long as the results create art; a groundbreaking concept in the accepted creation process. Considered by many to be an important figure of Minimalist Art, Judd himself actually disavowed this classification. Nevertheless, he is generally considered the leading international exponent of "minimalism," and its most important theoretician through such seminal writin… Donald Judd n’a jamais vraiment apprécié l’étiquette « Minimalisme » parce que « inventée par des critiques, qui tentaient de résumer le travail d’un petit groupe d’artistes, et qui ne le … (1986) "Complete Writings, 1975–1986" Eindhoven, NL: Van Abbemuseum. Morris vit et travaille actuellement à New York. 10 mai 2014 - Explorez le tableau « :: DONALD JUDD :: » de EM, auquel 106 utilisateurs de Pinterest sont abonnés. The building, constructed in 1870, was his home and studio and reflects his Minimalist aesthetic. Davantage dans une problématique qui est celle de Support/Surface (voir chapitre La mise à mort du Tableau, cours précédent). invited a selection of artists from around the world to write about how Kazimir Malevich has inspired …, The leading British sculptor Richard Deacon (born 1949), who first gained international prominence in the early 1980s, is the subject …, Eva Hesse (1936–1970) was born into a Jewish family in Hamburg. [118][119][120], The Leo Castelli Gallery, New York, represented the artist from 1965 to 1985. Credited as Minimalism’s principal spokesman, Judd wrote what is considered to be one of the most significant texts of the movement, “ Specific Objects” (1965). [17] Another commission, Untitled (1984), a three-part sculpture out of concrete with steel reinforcements, was installed at Laumeier Sculpture Park.[18]. [36] In fact, in a 1986 article published in Architectural Digest, William C. Agee stated that Judd and Vinciarelli were "starting a firm. 350–351. Il fait sienne la maxime d'un des grands représentants du Bauhaus, Ludwig Mies van der Rohe : « less is more ». Né le 9 février 1931, à Kansas City au Missouri, il est considéré comme l'un des théoriciens les plus importants du minimalisme, avec Donald Judd, mais il a également apporté une contribution importante au développement de l'art de performance, au land art, au mouvement minimaliste, au mouvement Process Art et à l’art de l'installation.
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