Giuseppe Penone, Indistinti confini—Noce, 2017, installation view, Centre Pompidou-Metz, France © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Marcus Veith, Giuseppe Penone, Anatomia (Anatomy), 2011, White Carrara marble, 124 × 77 × 62 inches (315 × 195.6 × 157.5 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Throughout his fifty-year career, Giuseppe Penone has employed a wide range of materials and forms in an exploration of the fundamental language of sculpture. Then, returning to an investigation of the figure, Penone began the Gesti vegetali (Vegetal Gestures) works (1982–), hollow anthropomorphic sculptures whose forms were based on single gestures or movements. Susan Ellicott tells the story of how this installation came to be. Work by Theaster Gates, Roy Lichtenstein, and Giuseppe Penone is included. Galleria fotografica su alfabeta2, su alfabeta2.it. Giuseppe Penone, Propagazione (Propagation), 2020 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Theaster Gates, Monument in Waiting, 2020, installation view, Parrish Art Museum, Water Mill, New York © Theaster Gates. +39 011 4378178. He currently lives and works in Turin, Italy. In 1969 Penone created the first of his Alberi (Trees): “stripped” trees made by carving into mature timbers and removing the wood along the outer growth rings to reveal the memory of a sapling at the core of the trunk. He currently lives and works in Turin, Italy. Nelle mani: opera dal 1968 al 2008 - Galleria Tucci Russo,Torino Giuseppe Penone -Toyota Municipal Museum of Art, Toyota. Photo © Archivio Penone. Photo © Archivio Penone, Giuseppe Penone, Pelle di marmo e spine d’acacia – Livia (Skin of Marble and Acacia Thorns – Livia), 2006, Pink marble, canvas, silk, and acacia thorns, 39 ⅜ × 139 ¾ × 2 ⅜ inches (100 × 355 × 6 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Giuseppe Penone, Essere fiume 7 (To Be a River), 2000, River stone and quarry stone of white Carrara marble, in 2 parts, each: 18 ⅞ × 29 ½ × 24 ⅞ inches (48 × 75 × 63 cm), installed at Whitechapel Gallery, London, September 4, 2012–October 27, 2013© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Giuseppe Penone est fils et petit-fils d'agriculteurs. 2004 widmete ihm das Centre Georges Pompidou eine Retrospektive. Photo © Archivio Penone, Giuseppe Penone, La foresta imprime le impronte del crescere (The Forest Engraves the Imprints of Growth), 1969, China ink on paper, 13 ¾ × 19 ¾ inches (35 × 50 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. The show features more than 150 works from eighteen of the most important art collections in Italy. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. The Spring 2018 Gagosian Quarterly with a cover by Ed Ruscha is now available for order. Photo: Manuel Lagos Cid/Paris Match Archive/Getty Images, Selected exhibition history (PDF)Selected bibliography (PDF). Nasce da … Photo © Archivio Penone, Terra-cotta, 28 ⅜ × 18 ⅞ × 15 ¾ inches (72 × 48 × 40 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Giuseppe Penone, Progretto per il giardino di pietra (Project for the Stone Garden), 1968, China ink on paper, 11 ⅞ × 15 ¾ inches (30 × 40 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Penone lebt und arbeitet derzeit in Turin, zudem unterrichtet er an der École des Beaux-Arts in Paris. Er wurde mit Einzelausstellungen in der ganzen Welt gewürdigt, war mehrfach Teilnehmer u.a. Photo © Archivio Penone, Giuseppe Penone, Ombra di terra (Earth Shadow), 2000, Bronze and terra-cotta, 111 ½ × 63 ¾ × 33 ⅞ inches (283 × 162 × 86 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. XNL Piacenza Contemporanea, a new cultural center dedicated to contemporary art, presents its inaugural exhibition, whose title translates to We Are the Revolution: Contemporary Italian Collecting. An outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. Then, with the Soffi (Breath) works (1977–), Penone attempted to translate into sculpture the ephemeral phenomenon of breath. Penone's ephemeral, thought-provoking … Giuseppe Penone (born 3 April 1947, Garessio, Italy) is an Italian artist and sculptor, known for his large-scale sculptures of trees that are interested in the link between man and the natural world. In this video, Penone discusses what drew him to this landscape and the concepts behind the installation. The project continues the artist’s long investigation of the perpetual give-and-take between humans and nature. Photo © Archivio Penone. Jeff Koons, Bluebird Planter, 2010–16 © Jeff Koons. 1989 war er für den Turner Prize nominiert, 2001 wurde ihm der Rolf Schock Preis verliehen, und im Oktober 2014 bekam er in Tokio das Praemium Imperiale. Hosted by art critic Deborah Solomon. Giuseppe Penone (geboren 1947 in Garessio / Ponte, Piemont, lebt und arbeitet in Turin) gehört zu den bedeutendsten und einflussreichsten Vertretern der italienischen Gegenwartskunst. Giuseppe Penone discusses his new monograph, The Inner Life of Forms, with the book’s editor Carlos Basualdo, senior curator of contemporary art at the Philadelphia Museum of Art, at the Greene Space, New York. Giuseppe Penone. He took photographs of light powder that he had blown into the air and translated the cloud-like forms into bronze sculptures, drawings, and vase-like constructions. Dalle radici emerge una spirale antropomorfa di corteccia che si trasforma in figura di fronte alla sua controparte vegetale, in un’equivalenza di forme tra il negativo dell’albero e il negativo della persona. A protagonist of Arte Povera, Penone explores respiration, growth, and aging—among other involuntary processes—to create an expansive body of work including sculpture, performance, works on paper, and photography. URL consultato il 2 marzo 2008 (archiviato dall'url originale il 22 febbraio 2008). Photo: Jacqueline Trichard/Centre Pompidou-Metz, March 28, 2020–January 3, 2021 An outdoor installation by Giuseppe Penone in San Francisco’s historic Fort Mason features two life-size bronze sculptures cast from fallen trees. In 2014, Penone was awarded the prestigious Praemium Imperiale award. I’ve worked with leaves, which you might not think would be right for sculpture, but actually they have a surprising, long-lasting presence. Italian artist Giiuseppe Penone presented his work in the Italian Pavillion of the Venice Biennale 2007. Penone’s early performance-based works evolved in direct response to the forests near his native village of Garessio, Italy, where he interacted with trees, water, and marble. Essere fiume (To be a River, 1981) marked an important turning point in Penone’s practice. Field of Dreams activates the Parrish Art Museum’s expansive meadows with sculpture by ten international, multigenerational artists that engages and responds to the museum’s architecture and landscape. The Spring 2020 issue of Gagosian Quarterly is now available, featuring Cindy Sherman’s Untitled #412 (2003) on its cover. Photo © Archivio Penone. He uses a variety of organic materials—such as trees, wood, stone, and ceramic—to distance himself from modern society and focus on basic truths of life and the planet Earth. Photo: Mauro Del Papa, Through August 31, 2021 This ongoing series has taken on various permutations as Penone refines his techniques and experiments with different sizes and installations. Giuseppe Penone (b. Giuseppe Penone, Una pelle di foglie, 1999 © Giuseppe Penone, See all Museum Exhibitions for Giuseppe Penone, All the artworks will appear on the Gagosian website and a rotating selection will appear in the, by Roberta Smith, Holland Cotter, and Jason Farago, exhibition of his work at the Gallerie degli Uffizi entitled. To celebrate its tenth anniversary, Centre Pompidou-Metz has invited Giuseppe Penone to install a new original work: a 49-foot-tall cast-bronze sculpture of a walnut tree (whose title translates to Indistinct Boundaries), with some sections and branches made of white marble. Nelle sue … Münster. (FR) Opere di Giuseppe Penone nelle collezioni pubbliche francesi d'arte moderna e contemporanea, su videomuseum.fr. In the 1990s Penone worked on the Anatomie (Anatomies, 1992–), which included Carrara marble and other stones carved in high relief to echo vascular and muscular systems, as well as the Propagazioni (Propagations, 1995), a series of drawings based on the concentric linear patterns of a fingerprint. Er gilt als Vertreter der Arte Povera, seine Installationen und Objekte sind meist Objekte und Materialien aus der Natur. Gagosian director Pepi Marchetti Franchi speaks about Giuseppe Penone’s recent exhibition in San Francisco, detailing the various works and their relationships to the artist’s long-standing sculptural practice. Would you define yourself as a sculptor? Photo © Archivio Penone, Giuseppe Penone, Idee di pietra – Olmo (Ideas of Stone – Elm Tree), 2008, Bronze and stone, 342 ½ × 106 ⅜ × 67 inches (8.7 × 2.7 × 1.7 m), installed in Gstaad, Switzerland, December 13, 2017–March 30, 2018© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo © Archivio Penone, Giuseppe Penone, Svolgere la propria pelle – 11 giugno 1970 (To Unroll One’s Skin – 11 June 1970), 1970, Gelatin silver prints with selenium tone on baryte paper and typographic ink on paper, 13 ¼ × 32 ⅝ inches (33.5 × 82.8 cm)© 2019 Artists Rights Society (ARS), New York/ADAGP, Paris. Giuseppe Penone (italien, né le 3 avril 1947 à Garessio) est un sculpteur, un artiste conceptuel et un membre de l’ Arte Povera. RAI: Giuseppe Penone, su italica.rai.it. In the Svolgere la propria pelle (To Unroll One’s Skin) series (1970–71), he captured the intricate patterns of rock and bark, skin and hair, through frottage (taking rubbings on sheets of paper), imprints (pressing his body into surfaces), and photography. 16-giu-2020 - Learn about the work and career of artist Giuseppe Penone. www.domaine-chaumont.fr. 2008. In 2014, Penone was awarded the prestigious Praemium Imperiale award. Domaine de Chaumont-sur-Loire, France Giuseppe Penone, Idee di pietra (Ideas of Stone), 2004, installation view, Fort Mason, San Francisco, 2019–2021 © Giuseppe Penone/2021 Artists Rights Society (ARS), New York/ADAGP, Paris. Since then he has continued to expand upon many of his earlier series and to work on the Idee di pietra (Ideas of Stone) sculptures (2003–), in which he juxtaposes rocks and trees to highlight the balance between verticality and horizontality and the interplay of gravity and growth. Am 27. Wie die Titel nahelegen, bilden die Skulpturen eine Ulme [olmo] und einen Kirschbaum [ciliegio] nach. The Winter 2018 issue of Gagosian Quarterly is now available. Extracting chunks of stone or marble from the source of a river, he carved them so that they resembled the smaller, smoother stones at the bottom of the riverbed, mimicking the effects of water on the rocks’ shape and size. TERM & CONDITIONS; PRIVACY; COOKIE SETTINGS In Penone’s work, sculptural transformations draw the viewer’s attention to details that have long existed but are easily overlooked. 49 Giuseppe Penone 168 Sculture di linfa 186 Elenco delle opere riprodotte 188 Biografia Daniela Lancioni Apparati 196 Mostre personali 199 Mostre collettive 206 Elenco installazioni permanenti 207 Bibliografia English Texts 212 Prefaces 214 Conversation with Giuseppe Penone 217 In Praise of Simple Questions 221 Biography 224 Texts by Giuseppe Penone. In the small skiing village of Gstaad, among the towering mountains of the Swiss Alps, lies a surprising and ambitious exhibition of sculpture by Giuseppe Penone. Giuseppe Penone is an Italian Conceptual artist. His work is held in collections including the Tate Gallery London; MoMA New York; Centre Pompidou, Paris; MOCA, Los Angeles; National Gallery of Canada, Ottawa; Galleria Nazionale d'Arte Moderna, Rome; MAXXI, Rome; National Museum of Modern Art, Tokyo; Royal Museums of Fine Arts, Brussels; Stedelijk Museum …
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