5 août 2015 - Découvrez le tableau "Henrique Oliveira" de véronique boutin sur Pinterest. I have a sketch-book and I make sketch projects and ideas for imaginary places or generic places. Conversation avec Henrique Oliveira, Galerie Georges-Philippe & NathalieVallois, 36, rue de Seine, 75006 Paris – FR. In this case, I have plenty of time. When we first saw Baitogogo, it reminded us of architecture’s reliance on nature, with the two materials of manmade pillars and natural wood juxtaposed. See more ideas about installation art, sculpture installation, sculpture. They command. I would take them from construction sites where this plywood had been used as a fencing material. When I was 16 I moved to Sao Paolo because my mother wanted me to study in a good University. It is like a museum. Tout en rondeur, en formes, en textures et en mouvements, ses créations immenses semblent sortir de … I don’t find tapume anywhere in the world, so I need to import it. It is nice to recommend artists and their works to others, but you really need to see most works in the flesh. Henrique Oliveira, Desnatureza, 2011 Henrique Oliveira est un artiste plasticien née au Brésil dans la ville d’Ourinhos en 1973. Though the Brazilian artist lives and works in São Paulo, his work has crossed oceans, being displayed and installed in museums and galleries worldwide. My first works were first only using the colours that were found in the wood. Fashioned predominantly from found timbers, Henrique's complex structures imitate organic forms and biological oddities that are simultaneously alluring and repellant. Henrique Oliveira, Canapé, 2015 Technique mixte — 180 × 115 × 130 cm Courtesy Galerie GP & N Vallois, Paris Objets de rebut, éléments naturels, dénuement des matériaux… ses créations entretiennent une relation étroite avec l’Arte Povera. Henrique Oliveira, Canapé, 2015, Technique mixte / Mixed media, 180 x 115 x 130 cm / 70 7/8 x 45 1/4 x 51 1/8 in. The paintings I do are more intimate in my studio. I have done projects in the United States where I used found mattresses, rubber, metal scrap and other found objects. Henrique Oliveira. Do you continue to do so? There is a whole concept that changes with each project , even if I keep the same material and same technique, the idea is always changing, just like life. Pièce unique / Unique piece, Courtesy Galerie GP & N Vallois, Paris; Henrique Oliveira, Sans titre, 2015, Technique mixte sur papier / Mixed media on paper, 106 x 75 cm / 41 3/4 x 29 1/2 in. brazilian artist henrique oliveira occupies the vast gallery expanse of the Museum of Contemporary Art, University of São Paulo with 'transarquitetônica', his … Apr 15, 2013 - Explore karakt's board "Henrique Oliviera", followed by 123 people on Pinterest. They use plastic, metal and other materials which are reliable. Oliveira’s works do not sit, nicely displayed, in a room nor do they invite quiet contemplation. Some stirs were broken, had jagged edges and they resemble the kind of dynamics that make me think about brushstrokes. I am more comfortable to work in this situation. I attend to what I am curious to. Henrique Oliveira - Site do Artista Henrique Oliveira - www.HenriqueOliveira.com WORKS BIOGRAPHY TEXTS EXHIBITIONS NEWS CONTACT (home) La technique est toujours la même : du carton ordinaire, récupéré ou non, l’emballage de nos produits envoyés par Amazon, découpé minutieusement puis collé selon des gestes d’artisan. Your work unintentionally has an emo- tive repercussion on the viewer after experiencing the work. They can nd other meanings or connections. While Henrique is also well-known for his paintings, this post focuses on his incredible wooden sculptures and installations. Cette adresse email est protégée contre les robots des spammeurs, vous devez activer Javascript pour la … They created this residency to host artists from outside the axis of Europe-USA. The perception of our surroundings, ourselves and society. I also work oppositely, and go to the space and see what can be done. Originally from a small town called Ourinhos, you currently live in Sao Paolo. Source: Boulder Museum of Contemporary Art, Artist Henrique Oliveira Uses Tapumes To Create Masterpieces. In Europe I have noticed that they don’t use materials which you can discard. Built from repurposed wood called tapumes, the artwork was so immense that museum visitors could interact with the curved wood and crawl through the series of tunnels. It’s an unusual description but one that makes sense when visually seen, as the artist transforms the wood he uses into a three dimensional painting. Henrique Oliveira’s artwork is unparalleled. In July I went back to Sao Paolo to stay for 2 months, then needed to go to Frankfurt for another month, then back to Sao Paolo for another month. The perfect residency! I had a similar situation when I was in the States last year, in Cleve- land. Ofcourse things are changing, and more and more they are substituting this tapume for more durable materials. It took me 5 or 7 years to get used to Sao Paolo. There is about 30,000 people living there, it feels like a little town. Though different from his usual installations, one can easily see remnants of his personal style within the work. Art is part of this existence, a way of looking at the soul of the human. We consciously and subconsciously know that other people will see it. henrique oliveira is a brazilian artist best known for using tapumes, or 'fencing' in portugese, as a title for many of his large-scale installations. Henrique OLIVEIRA, Researcher | Cited by 547 | of Institute of Telecommunications, Lisbon (IT) | Read 34 publications | Contact Henrique OLIVEIRA They sell for collectors mainly, whereas installations are more for institutions. Lunches are organised every month with gallerists, collectors, curators, other artists and journalists. I go to Vancouver, and then to Miami soon. Each one of them can’t go unnoticed as they are an incredible artwork to appreciate. Yes, I was at their vernissage this season in April. The site-specific installations are usually temporary works. They were creating a new building for the Museum of Contemporary Art, and I was able to start working before the building was nished. We create something responding to our own demands and our own wishes and curiosities. I had 2 or 3 months before the Opening to start on my exhibition. Connecting the visual similarity of the wood when broken to a brushstroke, Oliveira started to explore the properties of wood, and in particular, the wood of discarded tapumes. Primarily describing himself as a painter, Oliveira started with oil on canvas and is now additionally working with his own uniquely created style of painting, with wood. Is this when you were invited to Paris by the SAM Art Projects? The sculptures I do are similar to installations, but on a smaller scale, and are produced in a different way. Henrique Oliveira is fascinated by the interaction of man-made constructions and organic shapes. We are cultural beings. My mother pushed me to finish University, and I stayed studying social communication. Whilst there, I had classes with another impor- tant teacher, a painter – whom I had classes with for 6 months. I was saying that my work has a really strong relation to nature, and this could be from my hometown where I grew up, where I was kayaking and camping. This year I have been outside of Brasil, because of this residency of 6 months. The work can speak to people that also don’t know about art or contemporary art. It’s a tendency that started with the invention of photography. 1,458 Followers, 3,704 Following, 1,133 Posts - See Instagram photos and videos from Henrique Oliveira (@henriqueoliveira1001) Baitogogo was custom made for that space. It has an interesting history. It is multi-lingual. An image of nature, as it is not nature infact, it is only using natural materials. The University is like a town inside Sao Paolo. It is easy to see the connection, his adaptation and reuse of materials is completely original, with the pieces organically growing. We look forward to visiting your installation at the Centre d’Arts et de Nature. Eve- ryone can enter and enjoy, and have a reaction somehow. Henrique Oliveira invente des formes oniriques traversées par la vie, à la façon dont le démiurge fait naître du réel ex nihilo un univers aux contours fantasmés. In Brasil they use this material because it is very cheap. Whether observing his colorful paintings or walking through a larger-than-life installation, viewers are enthralled by both the immensity and the unique appearance of his paintings, sculptures and art installations. Oliveira is so fond of the inexpensive, eco-friendly medium that he has even named various installations after it. I paint in my studio in parallel with the other sculpture works and the installations. Born in 1973, Oliveira received his BFA and Masters in Visual Poetics from the University of São Paulo. They had 53 exhibitions, and they called all these exhibitions Nouvelle Vague. Prenant la forme de peintures, sculptures ou installations, l’art hybride d’Henrique Oliveira convoque à la fois l’urbanisme et le végétal, l’organique et le structurel, mais aussi l’art et la science à travers des compositions où l’inattendu génère un univers teinté de fantastique. For a recent installation in São Paulo, Henrique Olivera built a massive structural work inspired by a plant’s root system. It had been painted, so it had different aged colours. I’m always adventurous so I agreed, but I did hate it in the beginning! Our past experiences are the stepping stones to where we are now. With your work mostly site-specific, what is your process of approaching each project? You main installation at Palais de Tokyo, Baitogogo, was quite the standout piece in the group show. In the end of that year, in 1998, I went to study at the Sao Paolo University. Do you think this is important for art to have some sort of affect on the viewer? The tapume is very hard to nd outside of Brasil, used plywood you can easily nd. I recreate somehow the wood going back to it’s natural source. After 6 months, the rain and the sun damage it and it starts to fall apart. Sa pratique plastique s’orienta tout d’abord vers la peinture et la sculpture puis déboucha sur l’installation. Transarquitetônica combined a variety of artistic techniques, including sculpture and painting. Tell us more about the material you use, tapume. Le béton cède et craquelle sous l’évidence implacable de sa force. Yes I never stop to do so. Henrique Oliveira: In the last decades our lives have become so mediated by images. When you physically experience it, the connection between viewer and the artwork becomes full circle. They use them, but they get rotten very quickly. Henrique Oliveira est un artiste brésilien, né en 1973 à Ourinhos au Brésil. Interview Monique Kawecki | London Editor-In-Chief, Published in print issue Champ Magazine 8, Henrique Oliveira | Photograph by Norbert Muguletz, Chest of drawers, 2013 | Henrique Oliveira, Baitogogo, plywood and tree branches, 2013 | Photograph by Andre Monin, Baitogogo, plywood and tree branches, 2013 | Palais de Tokyo | Photograph by Andre Morin, Flash3, acrylic on canvas, 2011 | Henrique Oliveira, Parada dos Quasolitos, 2013 | Henrique Oliveira, Xilonoma Chamusquius, 2012 | Henrique Oliveira, Ursulinus Prolapse, 2013 | Henrique Oliveira. You can see the bizarre work, along with some of Oliveira’s paintings, in the images below. His large installations often occupy the vast expanse of spacious galleries. I had a studio there, but later went back to Sao Paolo to start my career. Brazilian artist Henrique Oliveira creates immersive sculptures and installations the likes of which we've never seen. His biggest art installation has occupied the vast gallery expanse of the museum of contemporary art, University of São Paulo with ‘transarquitetônica’, his largest immersive installation to date. In Brasil they produce these wood boards in a very cheap way. Triomphante, elle détruit l’urbain. May 11, 2017 - Explore Alden's board "Henrique Oliveira", followed by 240 people on Pinterest. Henrique Oliveira, à travers ces tensions, ces forces vitales, donne sans doute à voir l’illusion que la nature reprend ses droits. It is nice though, that each viewer can interpret it in different ways. I think this is an essential question. In Baitogogo, I deliberately recreated the wood going back into nature. Oliveira has been busy recently, with travels worldwide seeing his work created in new environments in various cities, allowing new audiences to experience their power in the flesh. Henrique Oliveira is a Brazilian artist known for his incredible art wood installations made in a big scale. They burst through walls, bulge and creep into space, drip, project, grow, and otherwise overtake and overwhelm wherever they happen to be. He’s only about to get busier, so we took the chance to sit down and find out more about this elusive artist. Please tell us more about this city. What moves me, when I am creating works, is that I never think about how people will view them. When I was 23 I went back to my home-town and decided I was going to be a painter. I use other materials too. In any context, the viewer can enjoy the works and then experience it’s message through experience. View the profiles of people named Henrique de Oliveira. Everything we see, our communication, all the forces that operate in our society act through a system of pixel combination. It is a return from its urban context to generic or organic shapes. Did visit the Centre of Arts and Nature before this? It is something that doesn’t have a pur- pose in the sense of a utility, or something useful. I’ve shown the paint- ings many times, but I don’t exhibit them as much as the installations as they are always made especially for an exhibition-basis. Coming and going. Hailing from São Paulo, Brazil, Henrique Oliveira is an award-winning artist that has exhibited his work around the world. During the course I studied I took some painting courses with a friend of my mothers, because I had always been into drawing. On a quick trip to London, we met the Brasilian artist at Duke’s in Mayfair, to converse in detail about his latest outside installation at the Centre d’Arts et de Nature in France, and his celebrated installation Baitogogo at the Palais de Tokyo in Paris. CHAMP | You have been traveling a lot this year we have seen, especially for your work in Paris at the Palais de Tokyo and Centre d’Arts et de Nature in the Chaumont-sur-Loire. Bay Area transplant Kiri Picone is a writer and marketer who loves bizarre news and the color purple. You mentioned you started working with oil and canvas. F.+33(0)1 43 25 18 80. www.galerie-vallois.com. When I moved to Sao Paolo it was a more urban life, and I started using this urban material. With constructions constantly taking place in his hometown of São Paolo, the most common wood used for building houses is often discarded, and left for reuse by others. The artists stays for 6 months, and they work the whole time dedicated to the end project that is a solo show in an Institution in Paris. It’s a great project, and the work to help this artist to be known in France. The place that I stayed in, was amazing. Your heritage is quite prominent in the works, incor- porating your history into the works and sharing them inter- nationally, such as by using the tapume wood. Slowly the side of nature came out and I got more into these organic constructions. Yes, this was where we first experienced your work. As part of the “Something from Nothing” theme, he and his group constructed a “cloud”–installed at the New Orleans Contemporary Arts Center–entirely from donated and recycled mattresses, stuffed animals and pillows. Using a variety of recycled materials, paint, and plywood, he creates artworks that draw the observer into a … I have always been an observer of nature. They invade. I had painting classes when I was 21, 22 years old. Join Facebook to connect with Henrique de Oliveira and others you may know. It is very good when this can happen. Is it im- portant for you to use recycled materials and is this a conscious philosophy in your work? I did a worldwide trip for 1 year and then I went back to Sao Paolo. His paintings, too, dictate their own unique terms of viewing. What attracted me to this material (tapumes) was that it performs like brushstrokes I am a painter, and when I was rst creating at installations that were more like a collage in texture, I was working with wood layers in a process that was very much created out of a painting procedure. They do a good job. Sa technique est aussi proche de celle du jardinier qui bouture et créé des figures du végétal, Art is something that compliments the nature of the humankind. Would you make art if you are sure nobody would see it? So you’re installation at the Palais de Tokyo, was part of the Nouvelle Vague show. Yes this Nouvelle Vague show was also in other places in Paris. Henrique Oliveira BR. While this intricate installation is one of Henrique Oliveira’s larger installations, it is very indicative of the style he’s known for: obliterating the line between man and nature and transforming ordinary spaces into organic architectural feats. The surface of the material has the specific textures and memory of its previous use. Yes. T.+33(0)1 46 34 61 07. McClain Gallery. The work also deals with this idea of controlling life and the impossibility of controlling life. It is a private residency. The castle there is very beautiful, and they have surrounding houses about 400m from the Chateau which are beauti- ful. They they change the boards for new ones. I came in January, and stayed in Paris until July. It involves a lot of these aspects. https://allthatsinteresting.com/henrique-oliveira-installations He received a BFA in painting in 2004 and a Masters in Visual Poetics in 2007 from the University of São Paulo, Brazil. For me it also had a symbolic meaning, particularly in the structure that I recreated where I reproduced the pillars and the white beams that were corrupted by the strange nature, the idea of controlling life and the rationality and irrationality. Il étudia à l’université de Sao Polo et obtenu son diplôme en 1997. It’s a lovely place. 2014 World Cup Controversy: Fails, Scandals and Mishaps, Barry Underwood's Magically Surreal Photography, What Stephen Hawking Thinks Threatens Humankind The Most, 27 Raw Images Of When Punk Ruled New York, Join The All That's Interesting Weekly Dispatch.