Pretend It’s A City works because Scorsese and Lebowitz aren’t trying to do anything more than capture Lebowitz’s sharp wit as she makes her seemingly off … https://www.rogerebert.com/reviews/pretend-its-a-city-movie-review-2021 I’m sure there was a commercial reason for the release date, but I like to think it was chosen because it’s almost quite literally the darkest day of the year. MEGAN CHORITZ reviews. Pretend It's a City caught my attention because I learned that it was produced and directed by native New-Yorker Martin Scorsese, who also stars in the Netflix limited series. Updated 1459 GMT (2259 HKT) January 8, 2021, (CNN)It's possible to think that writer/humorist Fran Lebowitz is an insightful, fascinating character and still conclude that devoting a seven-part docuseries to her wit and wisdom is a bit much. Read his answers to our Movie Love Questionnaire here. Your mileage may vary, but one thing that I think will grab everyone’s attention is the pre-pandemic world of “Pretend It’s A City.” People are out and about, and that normalcy struck a very poignant chord. In Martin Scorsese’s documentary miniseries Pretend It’s A City, the famed director basically puts a mike on Fran Lebowitz and lets her talk. Google has many special features to help you find exactly what you're looking for. The end credits also provide a closing zinger surrounded by an appropriately chosen piece of music. Netflix let Martin Scorsese's "The Irishman" run 3 ½ hours and allows similar excess with "Pretend It's a City," the director's decade-later follow-up to his previous documentary about her, "Public Speaking. A few weeks ago SNL had a parody skit that made no sense to me. One of the gentle touches of “Pretend It’s a City” is that there are usually other people in the room where Fran Lebowitz and Martin Scorsese are chatting. She volunteers to take the night shift, noting that her anger regarding the way the world operates stems from the fact that "I have no power, but I'm filled with opinions.". In the meantime, “Pretend It’s a City” offers a tantalizing snapshot of New York in full bloom, along with Lebowitz’s lively and unapologetic commentary on what it means to live there. She is a focused, intense, lightning sharp wit. Pretend It’s a City Updates: is one of the interesting upcoming American TV series. “I knew what talent was because I saw the lack of it in myself,” she says about her childhood days of playing cello poorly. Health and the wellness racket take a beating in episode five where Lebowitz, a lifelong smoker, points out that everything that is good for you feels or tastes terrible. Across its seven episodes, the director converses with the author about all manner of things that irritate and inspire her. One of the gentle touches of “Pretend It’s a City” is that there are usually other people in the room where Fran Lebowitz and Martin Scorsese are chatting. Pretend It's a City is a tribute to two things Scorsese loves, Fran Lebowitz and New York City, and that affection is contagious for much, if not quite all, of its running time. Each installment runs around 30 minutes, offering up just enough to leave you looking forward to the next. About Tomatometer. One of Fran Lebowitz's finest stories in Netflix's Pretend It's a City — like Cole Porter songs, Agatha Christie mysteries and Barry Bonds home runs, it's a long list — involves a breakfast she shared with jazz legends Charles Mingus and Duke Ellington. Wearing protective shoe coverings, Lebowitz towers over this massive representation of NYC like Gulliver in Lilliput. “Pretend It’s A City” is full of memorable stories and snapshots of a New York City long past. It’s the most social documentary, so to speak, in recent memory. Nevertheless, there's a kind of arbitrary repetition to her freely associated thoughts, complaints and grievances, parrying with audience members, recalling her early days in Manhattan and discussing things like the fact that she hates money but needs it because "I love things. -- to her rejection of "guilty pleasures" as a concept. Martin Scorsese’s collaboration with Fran Lebowitz on their new Netflix special Pretend It’s a City offers a unique look at the world through the eyes of a now-ancient relic; it’s a special filled with opinions to pass on before NYC goes extinct. “You are the only person who argues with me more than my family,” Lebowitz tells Lee. “I could get better, but I’d never be good.” We also hear about being voted “class wit” before ultimately getting kicked out of high school. "Pretend It's a City" certainly yields its share of amusing thoughts and wry observations, many of which are worth recording for posterity. Lee presses her on this, becoming animated as he goes on about Jordan and Lebron and Kobe. Toni Morrison, to whom the series is dedicated, appears in interview footage as does Spike Lee, who grills Lebowitz on her dislike of sports. When asked about their friendship during an on-stage interview seen in an archive clip in their new Netflix docu-series Pretend It's A City, Marty suggests it might have been at John Waters' 50th birthday… This is contrasted to the changing social world where New York City becomes a strong, but sometimes loose, way of communicating how she interacts with the world. I had a few lumps in my throat all over the place, but Lady Gaga’s “Star Spangled Banner” and Amanda Gorman’s poem had me weeping and wailing. She’s not going to ditch Joe Camel because her main goals in life are “smoking and plotting revenge.”. But this is hardly a high-concept show. A series gets an Average Tomatometer when at least 50 percent of its seasons have a score. The other night I got all caught up in the inauguration. That last event facilitated the move to Manhattan, where Lebowitz lived in a crappy apartment in a more expensive neighborhood than the people she hung out with back then. Pretend It’s a City: Review and Key Details About Witty Docu-Series? Seems she loves Muhammad Ali and was at Ali-Frazier I, a fight Lee reveres. Season 1 Review: Pretend It's a City is a tribute to two things Scorsese loves, Fran Lebowitz and New York City, and that affection is contagious for much, if not quite all, of its running time. Pleasures, she suggests, shouldn't be guilty as long as no one gets hurt by them. Pretend It’s a City is a tribute to two things Scorsese loves, Fran Lebowitz and New York City, and that affection is contagious for much, if not quite all, of its running time. The topics are plentiful. In a subsequent episode, she rejects the notion of ceasing to read writers who are (or were) horrible people, adopting the position that it's possible to separate the artist from their work. Pretend it's a City -- My review Fran Liebowitz is an acquired taste. Pretend It’s A City is a very niche project, shaped by Lebowitz’s nostalgia toward New York City “back then” and her acidic analysis of contemporary life, and it’s difficult to tell to whom this would appeal outside of Lebowitz and Scorsese fans. PRETEND IT’S A CITY isn’t so much a documentary as it is a collection of ruminations, conversations, and witticisms about life in New York.
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